Category Archives: Exhibitions

Quilts=Art=Quilts ’17, Part 3

And now for the award winners. I cannot even image how one would choose among this incredible collection of artwork but award jurist Marcia Young was charged with this impossible task. Here are the results...
The Shirley Hastedt Award: Red Jive and Blue Jive by Gerri Spilka...
The Catherine Hastedt Award for Hand Workmanship: Compaction & Drift by Shea Wilkinson... Sorry, I goofed and accidentally posted this one yesterday.
The Schweinfurth Award for Excellence: Tumbling by Naomi Velasquez, side angle detail below...
Juror's Choice: Frameworks IV by Julia Graziano...
Juror's Choice: Flying Geese- One Voice by Vicki Conley...
Juror's Choice: Breakthrough by Elizabeth Busch...
Award for Surface Design: Griffith and Broadway by Marian Zielinski...
Third Prize: Container by Kathy Ford...
Second Prize: Infinity IV by Elena Stokes...oh, that's me! I'm so honored!!!
So, I've been asked to talk about why I split the design into a diptych and its significance. What meaning was I trying to convey? Well, you all know the expression 'What came first, the chicken or the egg'? Well, if the egg is the idea and the chicken is what grew up out of it, I'm afraid the chicken came first.
When I prepare for my next project, I cut and prep my batting, sort of like prepping a canvas for paint. I cut it to size, iron on a fusible to both sides, fuse fabric to the back, then pin it to my design wall. I had prepped a 72 inch wide piece of batting in contemplation of my next project when a challenge came up in my guild. I only participate in challenges like that if they can work into my body of work and this one did. It was a proposed exhibition in partnership with the Nurture Nature Center in Easton, Pa whose focus that year was Weather. That theme worked well with my body of work and I decided to build upon my Infinity series incorporating a feeling of Wind. The only catch was it could be no wider than 60 inches. So, I decided to cut 12 inches off my prepped batting. I figured it could be cut up into 12 inch squares for small work.
As I worked on the design, the tapering waves were very effective and beautiful but I realized the main swath of color seemed off because it came to a blunt end at the edge of the quilt. I felt like it needed to continue to a point. Then I looked at the discarded 12 inch section and thought 'Why not? Try it. It'll either look really stupid or really cool.' Well, as you can see, it looks pretty cool. It's an odd place for split but somehow it works visually and, as someone said at the QAQ reception, it looks mysterious.
Lots of layered meaning emerged as well - the sweeping horizon line signifying the unending process of transformation; the winds of change that shape our lives; seeds blowing to far-off fertile lands. I have a subtitle for it, Like Seeds to the Wind, but mostly it's about my Infinity series.
And, that's the story of how the chicken came first and the egg of ideas and meaning came afterwards.
First Prize: People of the Wind by Shin-hee Chin, detail of intense stitchwork below...
Best of Show: Ruins 1 by Leah Higgins...
Funny story here, above is Ruins 1 as it was displayed at the Schweinfurth opening reception. But, I saw that artist Leah Higgins' post on Facebook announcing her Best of Show award and the picture she posted displayed it inverted, as I clumsily did below. The funny thing is, during the weekend I was in conversation with a fellow artist who said her work had been hung upside down. It seems the bottom sleeve intended for a secondary slat to weight the bottom was mistook for the top hanging sleeve. They didn't notice the label at the bottom right to guide them as to what was top and bottom. Well, it seems that's what must have happened here, I'm guessing. It's a lesson for us all - be careful of those bottom sleeves, they might get your work hung upside down! Always supply instructions as to the top of quilt if you use a bottom sleeve.
By the way, I did let Leah know about the inversion of her work and she contacted the Schweinfurth Art Center.
I hope you enjoyed seeing my pictures of the show but they really don't do justice to the work. If you can get there, go see them in person!
 
Also posted in Infinity series

Quilts=Art=Quilts ’17, Part 2

In my second installment on the opening weekend of Quilts=Art=Quilts I will share some pieces in the show. I apologize in advance for the quality of the images, some are a little blurry. In fact, while I tried to get pictures of most the quilts, some turned out so blurry they're unusable.
I'll start with a few pieces inspired by water...
 
Below the Surface by Marianne Williamson is a beautiful example of her fascination with light and water.
Clapotis, another lovely watery piece, by Elisabeth Nacenta de la Croix.
Refresh III by Erika Carter captures the feel of water with hand painted silk. Detail below.
Out Beyond by Wen Redmond, her work is inspired by nature as she is drawn to water and trees. And, more trees...
   
Winter Woods by Kathy Ford.
Black Crows Blues by Helena Scheffer.
 
A little more water... Water, Earth 5 by Pat Pauly.
Mirage by Diane Melms.
Mourning After by Karen Hinkle is a photograph she took the morning after a fire burned down thirteen businesses in Garrettsville, OH. Another angle is below.
The Triangle Fire: Flightless Birds 1 and 2 by Helen Geglio based on the 1911 fire at the Triangle Shirtwaist Factory in New York.
This Land Was Our Land by Patty Zafred- Kennedy.
Looking for the Pattern That Connects by Paula Kovarik. Check out the detail of the front and from the back.
The Language of Color 9: The Color of Dissonance by The Pixeladies, Deb Cashatt and Kris Sazaki.
Compaction and Drift by Shea Wilkinson.
Strange Attractor 18 by Niraja Lorenz.
Terra Mundi by Ellen Wong. Apologies to Ellen for this blurry photo, the camera in my phone isn't very good.
As you can see, it's a very strong show and I haven't even gotten to the award winners yet. I'm saving that for next time...
 

Quilts=Art=Quilts ’17 – Part 1

This past weekend I went to the Schweinfurth Art Center in Auburn, NY for the first time for the opening reception of Quilts=Art=Quilts. It was the first time my work was accepted into this prestigious exhibit and I was eager to see it. Out of 300 entries, 75 works by 65 artists were accepted and these are some exceptionally talented artists. So, I was deeply honored.
In this post, I will share some pictures of the overall exhibit so you can get a feel of the scope and scale of the venue. It's a lovely venue, too, large and spacious. Donna Lamb and her staff did a beautiful job hanging the show.
I hope these give you a feeling of being there, especially if you aren't able to go to the exhibit. But, I highly recommend going if you can. The exhibit runs through January 7, 2018.
I apologize for not giving attribution to the artists, there's just too many in this post (though if you ask me in the comments about a particular piece, I would be happy to provide info). Later this week, I will post more pictures, individual shots and some detail shots with attribution. And, for the finale, I will post the award winners! So, stay tuned...
   
Also posted in Infinity series

Well, that’s THAT!

Last weekend was The Hunterdon Art Tour, otherwise known as THAT, the first county-wide artist tour of Hunterdon County, NJ. It's almost a week later now and I'm still exhausted, but in a good way.
The weekend kicked off with a celebration benefit party and exhibit hosted by the Hunterdon Art Museum in Clinton, NJ. I was having such a good time I forgot to take pictures but I can tell you it was a huge success attended by almost 200 art lovers. The exhibit comprised one piece of artwork by all the artists, roughly 40 artists, on the tour and all for sale with a 50/50 split going to the artist and funding for next year's THAT. Nine pieces sold! My piece Horizon IX wasn't among them and is still available. hint, hint
Some artists opened their studios to the tour while others like myself (with a big slobbery dog) found local businesses to play host. My good friend Dr. Nancy Erb, holistic therapist and owner of Wellness Rocks! and the Awaken Health Center in Clinton, welcomed me and fellow artist, photographer Berendina Buist.
One of the center's practitioners, Karen Schweiger, was there all weekend offering free hugs. And, what hugs they were! She's a certified cuddle therapist. I had never heard of a cuddle therapist but I can tell you, she's good. Everyone needs a hug. Have you had your hug today?
The center was a great space to display artwork, big rooms with lots of wall space for big art...
and small art...
And even smaller art...
Or long art...
Not to mention, wearable art...
This was an amazing start to our annual artist tour here in Hunterdon County, New Jersey. I must give a huge thank you to the organizers of the tour who worked so hard for over a year to pull this together, three cheers to Val Sivilli, Catherine Suttle, Kathleen Thompson and Jay Raymond. Hip-hip-hooray! Hip-hip-hooray! Hip-hip-hooray!
Also posted in Infinity series, New Work

Springtime at Morpeth

It was a beautiful spring day for the Meet the Artists reception at Morpeth Contemporary this past weekend. Viewers were greeted by soft palettes and soft textiles of the three featured artists, Mare McClellan, Jim Henry and myself.
   
 
New Hope, PA artist Mare McClellan discusses her love of gardening and how it informs her work. On display are her paintings as well as her fiber sculptures.

Mare McClellan

     

Ever Abiding #7 by Mare McClellan

The gallery is large and bright, a modern space warmed up with salvaged hand-hewn beams installed by gallery owner Ruth Morpeth.
 
Morpeth Contemporary at 43 West Broad Street in Hopewell, NJ. The exhibit will run through April 23.

THAT – The Hunterdon Art Tour

I am very proud to be participating in The first annual Hunterdon County Art Tour -THAT! Over forty artists are on the tour, bringing an amazing diversity of media, disciplines and backgrounds to explore.

It will be held Saturday and Sunday, May 6 - 7. My artwork and I will be in Clinton at Wellness Rocks, 28 Center Street, just up the street from the museum. The weekend will kick off with a FREE benefit exhibition and party on Friday evening, May 5 at the Hunterdon Art Museum.

Please be sure to mark you calendar for the May 5th opening event where all the artists will be together to meet you and talk about their work. Maps will soon be available. For more information, please visit THAT's website - thehunterdonarttour.com 

Small Wonders

For all you art lovers in the Easton, PA area, be sure to see my work at the Nurture Nature Center. This cash and carry salon-style exhibit is perfect for holiday shopping. Shop Small! Shop Local! Buy Art! small wonders

A Very Warm Reception

elena-stokes-connect-by-stitch-reception7 This past weekend I spent a lovely time with friends and fellow artists at the opening reception of Connected by Stitch at the Gallery at Penn College in Williamsport, PA. This is the first exhibit mounted by the SAQA Pennsylvania region and what a beautiful exhibit it is in both the caliber of artwork and the spacious venue. Two pieces from my Infinity series are in the show. elena-stokes-connect-by-stitch-reception elena-stokes-connect-by-stitch-reception1 elena-stokes-connect-by-stitch-reception3 elena-stokes-connect-by-stitch-reception4 elena-stokes-connect-by-stitch-reception5 elena-stokes-connect-by-stitch-reception6 Many thanks to Meredith Armstrong, our SAQA PA regional rep and curator, and Penny Lutz, director of the gallery, for the long hours they put in to mount this exhibit, and to New Mexico mixed media artist Joshua Willis who was the juror. This is a very special exhibit not to be missed.
Also posted in Infinity series, SAQA

Welcome Back

After a long break from social media and even my own blog, I'm back. With lots of news. Just over five years ago, I joined SAQA (Studio Art Quilt Associates) and answered a call for entry for an exhibition called Seasonal Palette and exactly five years ago this week that I found out I was one of the lucky thirty-seven artists to be included. We were charged with creating a 32 x 78 inch long art quilt inspired by one of the seasons, mine was spring and that is how I came to make Tranquil Marsh - Wild Iris. And now, five years later, it's back. It went on a long sojourn around the globe, from Houston, Texas to Tainan City, Taiwan. The last time I saw it was four years ago during the Seasonal Palette premiere at the International Quilt Festival in Houston but after that, I wish I could have been rolled up with it and gone along for the ride. Here are a just few pictures of the many ports of call over the years.
quilt art, IQF, Elena Stokes

At the Houston Premiere

Elena Stokes, quilt art

IQF, Houston, TX

Gerald R Ford Museum, Grand Rapids, MI
Elena Stokes, quilt art

Texas Quilt Museum, La Grange, TX

Elena Stokes, quilt art

National Quilt Museum, Padukah, KY

Elena Stokes, quilt art

Tainan, City , Taiwan

Elena Stokes, quilt art

Gerald R Ford Museum, Grand Rapids, MI

And, so it's back! And, I am, too.

Also posted in SAQA

Artsbridge Members Show

One of my resolutions for 2016 was to become more active in the local art scene. Last week, I joined Artsbridge in time for their annual members show which opened last weekend and runs through the end of the month. The show is housed in the beautiful and historic Prallsville Mills in Stockton, NJ, located picturesquely on the Delaware River. Layout 1   2016 Artsbridge Members show 2016 Artsbridge show The reception was a wonderful event with food, wine and music. As you can see, the joint was jumpin'. I knew this was a talented group, but I was very pleasantly surprised and delighted to learn it was so large and diverse. Members were only allowed one piece in the show and there were almost 225 pieces in the exhibition ranging from paintings, mixed media, photography, sculpture and fiber. I was very pleased to see at least five textile pieces in the show. Artsbridge is a group of artists of many disciplines - painters, sculptors, photographers, writers, actors, musicians and filmmakers - who have gathered together on a volunteer basis to foster and promote local artists and to make the arts available to all segments of the community through education, exhibition and performance. And, I'm happy to be in such good company.